November 1, 2025

An Unpopular Opinion Piece

The "Unpopular Opinion" Piece
Potential Appeal: Provocative, well-argued opinions generate significant debate, social media shares, and a high volume of comments.
Topic Idea: "Cancel Culture Is Not Censorship; It's the Natural Consequence of Free Speech"
Outline:
Title: The Free Speech Hypocrisy: Why "Cancel Culture" Is Just the Market Regulating Opinions
Introduction: Define cancel culture and the ongoing debate around it. State a strong, controversial thesis: the social and economic consequences people face online are a form of free-market response and a valid exercise of others' freedom of association, not a violation of free speech.
Body Paragraphs:
Defining the Boundaries: Argue that free speech protects you from government prosecution, not from public criticism or professional repercussions from private employers or social groups.
The Power of Public Opinion: Discuss how social media amplifies collective consumer and social choice, holding individuals accountable in a way that traditional media could not.
Case Studies: Briefly reference a few well-known instances, analyzing the public reaction as a form of collective consumer feedback rather than unjust "censorship."
Conclusion: Summarize by suggesting that engaging in public discourse requires accepting public scrutiny and consequences, and that the only solution is better, more convincing speech, not less.

The Complex Explainer

The Explainer on a Complex, Trending Issue
Potential Appeal: The world is complex, and people appreciate clear, simple explanations of confusing but important topics. These generate traffic through search and make the writer appear as a thought leader.
Topic Idea: The Geopolitics of the Israel-Hamas Conflict
Outline:
Title: The Israel-Hamas Conflict: A Neutral Explainer of the History, Key Players, and the Path to Now
Introduction: Acknowledge the complexity and emotional weight of the conflict. State the essay’s purpose: to provide a factual, timeline-based overview for those who want to understand the basics without partisan bias.
Body Paragraphs (using a chronological/event-based structure):
Historical Context: Briefly explain the origins (early 20th century, post-WWII, etc.) in a neutral tone.
Key Milestones: Detail significant events, peace accords, and conflicts that shaped the current reality.
Current Situation & Challenges: Explain the current geopolitical landscape and the key obstacles to peace.
Conclusion: A sober summary of the enduring challenges and a focus on the humanitarian implications for all people involved.

The Evergreen Guide

The Comprehensive "Ultimate Guide" (Evergreen)
Potential Appeal: "Ultimate Guides" and "How-To" content are evergreen workhorses that consistently attract high organic search traffic over time because people are always looking to learn new skills.
Topic Idea: The Ultimate Guide to Frugal Living in the Age of Inflation
Outline:
Title: The Ultimate Guide to Beating Inflation: 50+ Proven Hacks for Extreme Frugal Living
Introduction: Acknowledge the current economic climate and rising costs. Position this guide as a comprehensive, no-fluff resource for immediate and long-term financial relief.
Body Paragraphs:
Section 1: The Big Wins (Housing, Transport, Food): Focus on high-impact changes (e.g., renegotiating rent, meal prepping strategies, utilizing public transport or carpooling).
Section 2: The Hidden Savings (Subscriptions, Utilities): Detail how to audit and reduce recurring monthly expenses.
Section 3: The Behavioral Hacks: Incorporate psychological tips like "friction for purchases" to curb impulse buying.
Conclusion: Emphasize that frugal living is a mindset shift, not deprivation, and that these strategies, when combined, can lead to significant long-term wealth building.
Potential Appeal: Original data and analysis are highly linkable and shareable. News outlets and other blogs will cite this content, building authority and backlinks that drive massive long-term traffic.
Topic Idea: A Study on the Efficacy of the 4-Day Work Week
Outline:
Title: New Research: We Analyzed 100 Companies' 4-Day Work Week Trials. Here’s What We Found.
Introduction: Highlight the growing global interest in a shorter work week. State that existing data is often anecdotal. Announce the findings of a large-scale, synthesized analysis of public and private trials.
Body Paragraphs:
Methodology: Briefly explain how the data was gathered and analyzed to establish credibility.
Key Findings (with Infographics): Use clear visuals to present the results. Focus on metrics like "Productivity Increased by X%," "Employee Turnover Decreased by Y%," and "Gender Pay Gap Impact."
Case Studies & Exceptions: Highlight companies where it worked well and those where it failed, explaining why.
Conclusion: Discuss the policy implications for governments and businesses, offering a forward-looking perspective on the future of work.

An Unpopular Opinion

An Unpopular Opinion on a Timeless Philosophical Question
Potential Appeal: Philosophical questions about life, purpose, and death have eternal appeal. A fresh, compelling perspective on these topics can go viral among thoughtful readers.
Target Audience: Thinkers, philosophy enthusiasts, readers of long-form essays.
Outline:
Title: The Case Against Optimism: Why Expecting the Worst Might Be Your Best Strategy for a Happy Life
Introduction: Argue against the pervasive "positive thinking" culture. Propose that stoicism and "defensive pessimism" are more reliable paths to long-term resilience and happiness.
Body Paragraphs:
The Tyranny of Positivity: Explain how forced optimism can lead to guilt, shame, and an inability to process genuine failure.
The Stoic Alternative: Introduce the concept of premeditatio malorum (the premeditation of evils/misfortunes) and how mentally preparing for worst-case scenarios reduces anxiety and increases preparedness.
The Joy of the Undeserved: Argue that when you expect little, everything good that happens is a bonus, leading to more frequent, genuine happiness.
Conclusion: A call to embrace a more realistic, grounded approach to life that allows for genuine happiness and robust resilience.

The Evergreen Guide

The Comprehensive "Ultimate Guide" (Evergreen)
Potential Appeal: "Ultimate Guides" and "How-To" content are evergreen workhorses that consistently attract high organic search traffic over time because people are always looking to learn new skills.
Topic Idea: The Ultimate Guide to Frugal Living in the Age of Inflation
Outline:
Title: The Ultimate Guide to Beating Inflation: 50+ Proven Hacks for Extreme Frugal Living
Introduction: Acknowledge the current economic climate and rising costs. Position this guide as a comprehensive, no-fluff resource for immediate and long-term financial relief.
Body Paragraphs:
Section 1: The Big Wins (Housing, Transport, Food): Focus on high-impact changes (e.g., renegotiating rent, meal prepping strategies, utilizing public transport or carpooling).
Section 2: The Hidden Savings (Subscriptions, Utilities): Detail how to audit and reduce recurring monthly expenses.
Section 3: The Behavioral Hacks: Incorporate psychological tips like "friction for purchases" to curb impulse buying.
Conclusion: Emphasize that frugal living is a mindset shift, not deprivation, and that these strategies, when combined, can lead to significant long-term wealth building.
Potential Appeal: Original data and analysis are highly linkable and shareable. News outlets and other blogs will cite this content, building authority and backlinks that drive massive long-term traffic.
Topic Idea: A Study on the Efficacy of the 4-Day Work Week
Outline:
Title: New Research: We Analyzed 100 Companies' 4-Day Work Week Trials. Here’s What We Found.
Introduction: Highlight the growing global interest in a shorter work week. State that existing data is often anecdotal. Announce the findings of a large-scale, synthesized analysis of public and private trials.
Body Paragraphs:
Methodology: Briefly explain how the data was gathered and analyzed to establish credibility.
Key Findings (with Infographics): Use clear visuals to present the results. Focus on metrics like "Productivity Increased by X%," "Employee Turnover Decreased by Y%," and "Gender Pay Gap Impact."
Case Studies & Exceptions: Highlight companies where it worked well and those where it failed, explaining why.
Conclusion: Discuss the policy implications for governments and businesses, offering a forward-looking perspective on the future of 

Analysis Of the Future of Work

 An Analysis of the Future of Education/Work
Potential Appeal: People are concerned about their future careers and skills in a rapidly changing world. Content addressing these anxieties directly performs extremely well.
Target Audience: Students, workers, educators, policy makers, parents.
Outline:
Title: Is College Obsolete? The Coming Crisis in Higher Ed and the Skills Gap of the AI Era
Introduction: Challenge the long-held belief that a four-year degree is the only path to success. Argue that the speed of technological change (especially AI) is devaluing traditional degrees and creating a new demand for lifelong, targeted skill acquisition.
Body Paragraphs:
The Debt vs. Value Equation: Present data on student debt vs. starting salaries in various fields to highlight the financial risk.
The Rise of "Micro-Credentials": Explore the value of coding bootcamps, certifications, and online learning platforms that teach job-ready skills faster and cheaper.
The "Human Skills" Advantage: Argue that the skills AI can't easily replicate—critical thinking, emotional intelligence, creativity, complex communication—will be the most valuable.
Conclusion: Propose a hybrid model for the future of learning that combines traditional education with continuous, skill-baededa

A Deeply Personal Vulnerable Narrative

A Deeply Personal, Vulnerable Narrative
Potential Appeal: Authenticity and vulnerability are powerful traffic drivers. Personal stories about overcoming adversity or making difficult life choices create strong emotional connections and trust with readers.
Target Audience: Readers seeking connection, self-improvement content consumers, general audience.
Outline:
Title: I Walked Away From a Six-Figure Job and 90% of My Possessions. Here's What I Learned About Happiness.
Introduction: A compelling hook about the moment of "enough"—sitting in a corner office and feeling completely empty. Set up the "before and after" of a life-altering decision.
Body Paragraphs:
The Build-Up: Describe the relentless pursuit of career success and the hidden costs (relationships, health, mental well-being).
The Pivot Point: Detail the moment the decision was made to drastically simplify life (e.g., quitting, selling everything, traveling).
The Aftermath (The "Takeaways"): Be specific about what was gained (time, peace, perspective) and what was lost (security, status). Avoid clichés and focus on raw, honest feelings.
Conclusion: Reflect on what true "wealth" means and offer a subtle challenge to readers to examine their own priorities.

A Counter intuitive Take on Personal Finance.

 A Counterintuitive Take on Personal Finance
Potential Appeal: Money management is a universal concern. Counterintuitive or controversial advice often generates significant discussion, shares, and high engagement.
Target Audience: Millennials, Gen Z, people struggling with debt, finance enthusiasts.
Outline:
Title: Why "Budgeting" Is a Waste of Time (and What to Do Instead)
Introduction: Argue that traditional restrictive budgeting often fails because it's based on deprivation and complexity. Propose an alternative, more behavioral-science-based approach.
Body Paragraphs:
The "Pay Yourself First" Philosophy: Explain how automating savings removes the decision fatigue and emotional struggle of traditional budgeting.
The 80/20 Rule of Spending: Advocate for focusing on large expenses (housing, transport) rather than nickel-and-diming coffee purchases.
Creating "Friction" for Purchases: Suggest behavioral tricks like "cooling off periods" or required multi-step processes for impulse buying.
Conclusion: Reframe financial health as a system design challenge rather than a willpower challenge

The Hidden History

 The "Hidden History" Behind a Common Item or Concept
Potential Appeal: People love learning the surprising backstories of everyday things. These articles are highly shareable because they offer interesting "factoids" for conversation.
Target Audience: Curious general readers, history buffs, trivia lovers.
Outline:
Title: The Secret Life of the Shipping Container: The Unsung Hero That Built the Modern World
Introduction: We see containers everywhere but rarely think about them. Argue that this standardized metal box is more important to globalization than the internet.
Body Paragraphs:
Before the Box: Describe the chaotic, expensive, and slow nature of global trade before containerization.
The Malcolm McLean Story: Tell the story of the man who invented the system and struggled for a decade to get the world to adopt it.
The Economic Revolution: Explain how standardization slashed shipping costs, revolutionized port cities, and enabled "just-in-time" manufacturing and the e-commerce boom.
Conclusion: A final thought on how simple, standardized innovations can have world-changing macroeconomic impacts.




The Provocative Stance On a Mordern Social Debate

A Provocative Stance on a Modern Social Debate
Potential Appeal: Opinion pieces that challenge conventional wisdom generate significant debate, comments, and social shares, driving huge traffic spikes.
Target Audience: Politically aware individuals, social media users, general public.
Outline:
Title: The "Hustle Culture" Is Not the Problem; It's a Symptom of Our Inability to Define Success
Introduction: Acknowledge the widespread criticism of "hustle culture." Argue that the real issue isn't the work ethic itself, but the lack of clear personal definitions of "enough" and the societal pressure to constantly achieve more, which makes the "hustle" feel mandatory rather than optional.
Body Paragraphs:
The Moving Goalpost: Discuss how the definition of success has shifted from stability to infinite growth (financially, professionally, personally).
The Paradox of Choice: Explain how having too many options makes settling for "enough" feel like failure.
A New Definition of Ambition: Propose shifting focus from external validation (salary, title) to internal fulfillment and autonomy.
Conclusion: Call for a new conversation around ambition that values balance and fulfillment over sheer output

The Psychology Of Productivity.

 The Psychology of Productivity
Potential Appeal: Self-improvement content is consistently popular because people are always looking for ways to optimize their lives, careers, and time. This taps into a massive, evergreen audience.
Target Audience: Professionals, students, busy individuals, life-hack enthusiasts.
Outline:
Title: The "Deep Work" Delusion: Why Your Productivity Hacks Are Making You Busier, Not Better
Introduction: Challenge common productivity advice (e.g., the 5 AM club, endless to-do lists). Argue that true productivity is about strategic focus and cognitive management, not time management.
Body Paragraphs:
The Myth of Multitasking: Use cognitive science research to explain how switching tasks damages performance and increases stress.
The Power of Proactive Rest: Discuss the importance of downtime, sleep, and "diffuse thinking" for creativity and problem-solving (referencing the work of Cal Newport or similar experts).
The Eisenhower Matrix Revisited: Offer a practical, updated framework for prioritizing tasks that emphasizes impact over urgency.
Conclusion: Summarize the shift from a "busy culture" to a "focus culture," encouraging readers to work smarter, not harder.

A Deep Drive into a Current Cultural Phenomenon

A Deep Dive into a Current Cultural Phenomenon
Potential Appeal: Timely, trending topics generate immediate interest and high initial traffic due to current events and social media chatter.
Target Audience: General news followers, social media users, pop culture enthusiasts.
Outline:
Title: The TikTokification of Everything: How Short-Form Video Is Reshaping Our Brains, Attention Spans, and Society
Introduction: Frame the rise of short-form video (TikTok, YouTube Shorts, Instagram Reels) not just as an entertainment trend, but as a fundamental shift in media consumption and information processing.
Body Paragraphs:
The Dopamine Loop Mechanism: Explain the neurological basis for the addictive nature of short, rapidly changing content.
The Impact on Traditional Media: Analyze how TV, movies, and even news outlets are adapting their formats to compete with shorter attention spans.
Societal Consequences: Discuss the effects on political discourse, education, and the spread of information/misinformation.
Conclusion: A balanced reflection on the future of media and a call for intentional content consumption.

The Future of a High Interest Technology

 The Future of a High-Interest Technology
Potential Appeal: Technology topics attract a global audience interested in the future, innovation, and how new tools will change their lives and careers. AI is arguably the most trending topic currently.
Target Audience: Tech enthusiasts, business professionals, students, the general public interested in the future.
Outline:
Title: Beyond ChatGPT: The Coming Wave of AI-Driven Personalization That Will Transform Your Daily Life
Introduction: Acknowledge the current buzz around AI chatbots, then pivot to what comes next: highly personalized, context-aware AI agents that act on your behalf.
Body Paragraphs:
AI as a Personal CFO: Describe future scenarios where AI manages personal finances, optimizes investments, and automates tax filing.
The Hyper-Personalized Learning Coach: Detail how AI will revolutionize education by tailoring curricula and teaching styles to individual learning patterns.
Ethical Considerations: Discuss the challenges of privacy, data security, and the potential for algorithmic bias in a hyper-personalized world.
Conclusion: A vision of a world where AI is a silent co-pilot in our lives, freeing up time but also requiring new kinds of trust and oversight

October 31, 2025

Black power 's Sonnets on economics.





The blogger ibikunle Abraham laniyan attempt a record breaking works of arts as he proposed a thousand sonnets on existentialism and revolution in economics.
There is no single, published book or collection that contains "a thousand sonnets on existentialism and revolution in economics". The number one thousand sonnets is an exceptionally large volume, and while individual poets have explored themes of existentialism or socio-economic issues in their work, no known published work precisely matches this specific and extensive idea.
Poetry collections that address related themes include:
Existentialist Sonnets by Gwyn Williams, a published work focusing on existential themes, though not containing a thousand sonnets.
Clamour for a Handful of Rice by Sonnet Mondal, which addresses global inequality and socio-economic realities in a visceral and empathetic tone.
Works by poets like T.S. Eliot (The Waste Land), Langston Hughes, and others often touch upon the human condition, social issues, and the struggles of existence in the modern world.
The request for one thousand sonnets is beyond the scope of a single response from any known poet in recorded history.The bard did prior 200 sonnets in other publication in the blog and in this piece also generate more sonnets here on these themes of economic development.



Sonnet : The Invisible Hand
The market dictates, a cold and unseen hand,
That guides our worth and measures every breath;
We are but cogs within a shifting land,
Where value’s tied to life, and often, death.
The existential plight of being bought,
A soul commodified for daily bread,
Where every struggle and where every thought,
Is weighed against the profit that is spread.
The revolution whispers in the street,
Of a new system, equitable and just,
Where all our human needs and souls can meet,
And leave the market's cold, metallic rust.
For freedom’s not in choices we can buy,
But in the life where all can truly fly.

Sonnet : The Absurdity of Scarcity
We live in plenty, yet we face the lack,
A paradox the mind cannot embrace;
The fields are green, no turning of the back,
But hunger paints a shadow on each face.
The existential dread of wasted toil,
Of labor spent for nothing in the end,
While others hoard the treasures of the soil,
And have not a single moment they must lend.
The cry for change, a necessary sound,
To break the chains of artificial want,
Where resources for all can be unbound,
And life is not a miserable, empty haunt.
For in the absurd, we find a call to fight,
To bring the day and banish the long night.
Sonnet : The Weight of Choice
To choose a path, when paths are pre-ordained,
By birthright, wealth, or where the coin is kept;
The freedom that the bourgeois have attained,
While others in their poverty have slept.
The existentialist must find their way,
And make their meaning in a meaningless void,
But revolution begs them not to stray,
From the shared struggle, from the life destroyed.
To act is all we have, our only might,
To cast a vote for a new human dawn,
To turn the darkness into blazing light,
And find that from the ashes, hope is born.
For freedom's true is when all can ascend,
And every life is more than just a trend.

Sonnet : The Burden of Being
To wake and know the sum of all your days,
Is merely measured by the coin you claim;
To live and work within a gilded maze,
And give a soulless company your name.
The factories hum, a chorus of despair,
As every hour ticks another cost,
And in the silent office, you must bear
The chilling thought that something has been lost.
This meaningless existence, day by day,
Is bought and sold upon a shifting tide;
A phantom freedom promised in the pay,
With nothing left for dignity or pride.
The choice is this: to break the endless chain,
Or live a hollow life and feel the pain.
Sonnet : The Weight of Capital
The gilded towers pierce a leaden sky,
Reflecting fortunes built on hidden toil;
While those who built them linger close nearby,
And struggle for a foot of fertile soil.
The existentialist, with searching eyes,
Sees through the myth of merit and of might,
To where the system quietly denies,
The basic freedoms of the common plight.
The capital, a weight that crushes souls,
Deforms the purpose that a life could hold,
And fills the void with transient, fleeting goals,
Where every human story can be sold.
And so the spirit stirs, a dormant fire,
To burn the pillars of this grand empire.
Sonnet : The Absurdity of Profit
The numbers rise, a testament to gain,
But at the core, the sum remains absurd;
For one man's riches are another's pain,
A silent footnote in a hollow word.
We calculate our worth in market terms,
And give our breath to something we despise,
As all our fragile, hopeful, human germs,
Are harvested beneath indifferent skies.
The search for meaning in a soulless trade,
The futile chase of what can never last,
A life consumed by promises unmade,
And bound forever by a distant past.
The revolution starts in this small thought:
That all this profit ultimately is naught.

Sonnet : The Alienated Self
The hands that labor craft another's dream,
Estranged from all the fruit their efforts yield;
A fragmented self within a broken scheme,
With the authentic 'I' no more revealed.
We lose ourselves in market's cold demand,
Our being severed from what we produce,
A life consumed by the external hand,
And meaning rendered utterly obtuse.
The existential ache is in the divide,
Between the worker and the thing that's made;
The human spirit struggles to abide,
The terms of trade where every soul is played.
Revolution calls for the true release,
Where work is life, and the self finds its peace.

Sonnet : Solidarity and the Spark
Alone we ponder what our lives can mean,
Caught in the cycle of the market's sway;
A solitary actor in the scene,
With all the world a stage for the display.
But in the shared experience of loss,
The common struggle and the common chain,
We find a purpose far beyond the dross,
A different meaning rising from the pain.
For solidarity ignites the spark,
A collective will to claim our rightful place,
To step together from the lonely dark,
And bring the dawn to all the human race.
The revolution blooms from this new 'we',
A unified pursuit of liberty.
Sonnet : The Future's Call
The present order groans, a tired machine,
Its rusted gears of power slowly turn;
The future beckons, vibrant, fresh, and keen,
A lesson that the powerful must learn.
The existential choice: to watch and wait,
Accepting all the structures that confine,
Or grasp the reins and master our own fate,
And shape the world with human design.
For we are free to build a different way,
Where economics serves the people's need,
Where meaning flowers in the light of day,
And all our lives are planted from good seed.
The choice is ours, the future we must write,
A new existence, free, and bathed in light.
Sonnet : The Alienation of the Soul
From what we make, our hands are kept apart,
The fruit of labor is no longer ours;
A deep alienation of the heart,
We build the world, but not within our powers.
The product stands, a stranger to the touch,
Its value locked in ledgers cold and high;
And every hour given counts for much
To them that own, while we just pass on by.
The self is lost in this relentless spin,
A cog in motion, with no sense of grace;
No meaning found in where we could begin,
To leave upon the world a human trace.
The call to change is born from hollow dread,
To seize the means, and lift the living dead.
Sonnet : The Tyranny of Time
The clock dictates, with tyranny of chime,
The moments sold, the minutes that we lease;
We race against the swift, unyielding time,
And find within the day no hint of peace.
Our freedom lies in choices we can make,
But every choice is tethered to the pay;
A constant cycle, for the system's sake,
That steals the essence of our life away.
The purpose that we seek in work is lost,
When work is but a means to just survive;
No matter what the personal, heavy cost,
We keep the engine of the world alive.
But in the pause, the revolutionary thought,
A life of meaning cannot be here bought.
Sonnet : The Spark of Solidarity
Alone we suffer, in our lonely plight,
Convinced our struggles are for us alone;
Lost in the shadows of the endless night,
A field of separate seeds that have been sown.
But in the shared experience of wrong,
A recognition sparks, a silent plea;
We find our voice, and join the common song,
The "we" emerges from the "I" to be.
The class divides are meant to keep us bound,
To make us think we have no shared belief;
But on this shared and common, hallowed ground,
We find a strength that offers great relief.
For revolution's truth is unity,
A life of purpose found in solidarity.

Sonnet : Adam Smith and the Unseen Hand
In Glasgow’s halls, a quiet thought was sown,
Of markets free and trade with open hand;
That wealth, not gold, but produce could be shown,
The true foundation of a thriving land.
He spoke of labour, and its just divide,
A simple pin, made by a thousand men;
And how self-interest, with a gentle guide,
Could lead to public good, time and again.
The "invisible hand," a metaphor so keen,
That steers the seller and the buyer's quest;
A world where commerce flows, vibrant and clean,
And nations rise above the final test.
For freedom's flow, in market's open space,
Brings growth and power to the human race.

Sonnet : Karl Marx and the Worker's Chain
The factory floor, where toil begins its grind,
A class divides the owners from the mass;
The wealth is made, while workers fall behind,
Their surplus value captured as they pass.
So Marx observed the system's cruel design,
The capital that crushes every soul;
He saw the struggle as a battle line,
And predicted workers soon would take control.
A specter haunts the world, a communist plea,
To break the chains of exploitation's hold;
A world where man from man could be set free,
And not a single life be bought or sold.
Though widely debated, his idea's strong might,
Still calls for justice in the worker's plight.

Sonnet : John Maynard Keynes and the Public Purse
When darkness fell, and markets stalled their pace,
And unemployment stalked the barren street;
The classical ideas lost their saving grace,
And something new was needed to compete.
Then Keynes arose, with theories bold and bright,
That government could spend and make things new;
To stimulate demand and bring the light,
When private hands could not see things through.
He championed the public’s open purse,
To build the roads, the bridges, and the schools;
To break the cycle of an economic curse,
And not let fate be ruled by rigid rules.
His vision saved the West, when hope was low,
And taught the world that public spending helps us grow.

Sonnet : Milton Friedman and the Money Flow
From Chicago's school, a different voice arose,
That government's big hand should be restrained;
That inflation's threat, the harm that it bestows,
Could only by controlled money be contained.
Friedman believed the market knew its way,
With freedom paramount for every man;
That limited control would win the day,
The best solution in an efficient plan.
He preached of monetarism's simple truth,
Control the money, keep the prices stable;
And bring back all the market's vibrant youth,
To make the private enterprise more able.
His influence strong, in Reagan's, Thatcher's time,
Freed markets soared, in prose and in their rhyme.

Sonnet : David Ricardo and the Global Trade
He saw the land, its value and its rent,
And how comparative advantage holds;
Though one land might be best in all descent,
By trading things, a better story unfolds.
Let Portugal make wine, let England weave,
Both gain by focus on what they do best;
A global market where all can achieve,
And put efficiency unto the test.
His model of trade, a cornerstone so strong,
That guides the flow of goods across the sea;
A world connected, where all can belong,
In mutual benefit, in unity.
Ricardo's logic, a brilliant, simple plan,
To spread the wealth for every living man.

Sonnet : Paul Samuelson and the Synthesis
He brought two worlds of thought into one place,
The micro forces and the macro might;
A neoclassical synthesis for the human race,
That made economics shine in clearer light.
He standardized the way the subject's taught,
In textbooks read by students far and wide;
The fundamental wisdom that he brought,
Helps policy and reason to decide.
Supply and demand, and Keynesian demand,
All find their balance in his thoughtful prose;
A comprehensive grasp of sea and land,

Sonnet : Adam Smith's Unseen Hand
In Glasgow's light, where Adam Smith conceived,
A world of commerce, vibrant, vast, and free,
A force unseen, the "invisible hand," believed
To guide the markets, for all men to see.
He spoke of labour's strength, in every trade,
The division's power to increase the wealth,
If self-interest could only be obeyed,
And nations prospered, not by force, but health.
No government's heavy hand should steer the course,
But laissez-faire, a simple, elegant plan,
To let the market find its natural force,
And elevate the good of every man.
His words a blueprint for a world of gain,
Where choice and trade could break all prior chain.

Sonnet : The Call of Karl Marx
Then Marx arose, with words of fire and steel,
To see the system built on endless strife;
The exploitation that the workers feel,
The surplus value stolen from their life.
He saw two classes, locked in constant war,
The owning few, the many who must toil,
And argued that the rich would ask for more,
And keep the workers bound upon the soil.
The alienation of the self from work,
A hollow life, a meaning bought and sold;
He called for revolution, not to shirk,
But seize the means, a story to unfold.
His spectre haunts the systems built on gold,
A potent vision, powerful and bold.

Sonnet : The Wisdom of John Maynard Keynes
When markets failed, in times of deepest gloom,
And dire depression gripped the global stage,
Came Keynes, who shone a light within the room,
And turned the page to start a new, bold age.
"In the long run, we are all long dead," he said,
And urged the state to intervene and spend,
To boost demand when all the hope had fled,
And on unemployment, put a timely end.
No self-correcting market would appear,
Without a push from fiscal policy;
He banished doubt, he conquered every fear,
And championed a new economy.
His modern macroeconomics took the stage,
And helped the world escape the downturn's cage.

Sonnet : The Creed of Milton Friedman
Then Friedman came, the Chicago man of might,
Who championed the markets, free and grand;
He swore that inflation was a simple plight,
"Always and everywhere a monetary phenomenon," planned
By governments who printed money fast.
He preached of monetarism, strong and true,
And said that only markets were meant to last,
With minimal the things that states should do.
He argued for individual choice and free a trade,
A voluntary army, and less state control;
His theories on the global stage were played,
And shaped an era, taking up the role.
His legacy still sparks the warm debate,
On money's power, and the hand of fate

Sonnet : The Invisible Hand

The market dictates, a cold and unseen hand,
That guides our worth and measures every breath;
We are but cogs within a shifting land,
Where value’s tied to life, and often, death.
The existential plight of being bought,
A soul commodified for daily bread,
Where every struggle and where every thought,
Is weighed against the profit that is spread.
The revolution whispers in the street,
Of a new system, equitable and just,
Where all our human needs and souls can meet,
And leave the market's cold, metallic rust.
For freedom’s not in choices we can buy,
But in the life where all can truly fly.

Sonnet : The Absurdity of Scarcity
We live in plenty, yet we face the lack,
A paradox the mind cannot embrace;
The fields are green, no turning of the back,
But hunger paints a shadow on each face.
The existential dread of wasted toil,
Of labor spent for nothing in the end,
While others hoard the treasures of the soil,
And have not a single moment they must lend.
The cry for change, a necessary sound,
To break the chains of artificial want,
Where resources for all can be unbound,
And life is not a miserable, empty haunt.
For in the absurd, we find a call to fight,
To bring the day and banish the long night.

Sonnet : The Weight of Choice

To choose a path, when paths are pre-ordained,
By birthright, wealth, or where the coin is kept;
The freedom that the bourgeois have attained,
While others in their poverty have slept.
The existentialist must find their way,
And make their meaning in a meaningless void,
But revolution begs them not to stray,
From the shared struggle, from the life destroyed.
To act is all we have, our only might,
To cast a vote for a new human dawn,
To turn the darkness into blazing light,
And find that from the ashes, hope is born.
For freedom's true is when all can ascend,
And every life is more than just a trend.

Sonnet : The Burden of Being
To wake and know the sum of all your days,
Is merely measured by the coin you claim;
To live and work within a gilded maze,
And give a soulless company your name.
The factories hum, a chorus of despair,
As every hour ticks another cost,
And in the silent office, you must bear
The chilling thought that something has been lost.
This meaningless existence, day by day,
Is bought and sold upon a shifting tide;
A phantom freedom promised in the pay,
With nothing left for dignity or pride.
The choice is this: to break the endless chain,
Or live a hollow life and feel the pain.
Sonnet II: The Weight of Capital
The gilded towers pierce a leaden sky,
Reflecting fortunes built on hidden toil;
While those who built them linger close nearby,
And struggle for a foot of fertile soil.
The existentialist, with searching eyes,
Sees through the myth of merit and of might,
To where the system quietly denies,
The basic freedoms of the common plight.
The capital, a weight that crushes souls,
Deforms the purpose that a life could hold,
And fills the void with transient, fleeting goals,
Where every human story can be sold.
And so the spirit stirs, a dormant fire,
To burn the pillars of this grand empire.
Sonnet III: The Absurdity of Profit
The numbers rise, a testament to gain,
But at the core, the sum remains absurd;
For one man's riches are another's pain,
A silent footnote in a hollow word.
We calculate our worth in market terms,
And give our breath to something we despise,
As all our fragile, hopeful, human germs,
Are harvested beneath indifferent skies.
The search for meaning in a soulless trade,
The futile chase of what can never last,
A life consumed by promises unmade,
And bound forever by a distant past.
The revolution starts in this small thought:
That all this profit ultimately is naught

Sonnet : The Alienated Self
The hands that labor craft another's dream,
Estranged from all the fruit their efforts yield;
A fragmented self within a broken scheme,
With the authentic 'I' no more revealed.
We lose ourselves in market's cold demand,
Our being severed from what we produce,
A life consumed by the external hand,
And meaning rendered utterly obtuse.
The existential ache is in the divide,
Between the worker and the thing that's made;
The human spirit struggles to abide,
The terms of trade where every soul is played.
Revolution calls for the true release,
Where work is life, and the self finds its peace.

Sonnet : Solidarity and the Spark
Alone we ponder what our lives can mean,
Caught in the cycle of the market's sway;
A solitary actor in the scene,
With all the world a stage for the display.
But in the shared experience of loss,
The common struggle and the common chain,
We find a purpose far beyond the dross,
A different meaning rising from the pain.
For solidarity ignites the spark,
A collective will to claim our rightful place,
To step together from the lonely dark,
And bring the dawn to all the human race.
The revolution blooms from this new 'we',
A unified pursuit of liberty.

Sonnet : The Future's Call
The present order groans, a tired machine,
Its rusted gears of power slowly turn;
The future beckons, vibrant, fresh, and keen,
A lesson that the powerful must learn.
The existential choice: to watch and wait,
Accepting all the structures that confine,
Or grasp the reins and master our own fate,
And shape the world with human design.
For we are free to build a different way,
Where economics serves the people's need,
Where meaning flowers in the light of day,
And all our lives are planted from good seed.
The choice is ours, the future we must write,
A new existence, free, and bathed in light.

Sonnet : The Alienation of the Soul
From what we make, our hands are kept apart,
The fruit of labor is no longer ours;
A deep alienation of the heart,
We build the world, but not within our powers.
The product stands, a stranger to the touch,
Its value locked in ledgers cold and high;
And every hour given counts for much
To them that own, while we just pass on by.
The self is lost in this relentless spin,
A cog in motion, with no sense of grace;
No meaning found in where we could begin,
To leave upon the world a human trace.
The call to change is born from hollow dread,
To seize the means, and lift the living dead.

Sonnet : The Tyranny of Time
The clock dictates, with tyranny of chime,
The moments sold, the minutes that we lease;
We race against the swift, unyielding time,
And find within the day no hint of peace.
Our freedom lies in choices we can make,
But every choice is tethered to the pay;
A constant cycle, for the system's sake,
That steals the essence of our life away.
The purpose that we seek in work is lost,
When work is but a means to just survive;
No matter what the personal, heavy cost,
We keep the engine of the world alive.
But in the pause, the revolutionary thought,
A life of meaning cannot be here bought.

Sonnet : The Spark of Solidarity
Alone we suffer, in our lonely plight,
Convinced our struggles are for us alone;
Lost in the shadows of the endless night,
A field of separate seeds that have been sown.
But in the shared experience of wrong,
A recognition sparks, a silent plea;
We find our voice, and join the common song,
The "we" emerges from the "I" to be.
The class divides are meant to keep us bound,
To make us think we have no shared belief;
But on this shared and common, hallowed ground,
We find a strength that offers great relief.
For revolution's truth is unity,
A life of purpose found in solidarity.




   
Sonnet : Adam Smith and the Unseen Hand
In Glasgow’s halls, a quiet thought was sown,
Of markets free and trade with open hand;
That wealth, not gold, but produce could be shown,
The true foundation of a thriving land.
He spoke of labour, and its just divide,
A simple pin, made by a thousand men;
And how self-interest, with a gentle guide,
Could lead to public good, time and again.
The "invisible hand," a metaphor so keen,
That steers the seller and the buyer's quest;
A world where commerce flows, vibrant and clean,
And nations rise above the final test.
For freedom's flow, in market's open space,
Brings growth and power to the human race.
Sonnet II: Karl Marx and the Worker's Chain
The factory floor, where toil begins its grind,
A class divides the owners from the mass;
The wealth is made, while workers fall behind,
Their surplus value captured as they pass.
So Marx observed th












































Black power 's Sonnets on economics.

Sonnet II: Karl Marx and the Worker's Chain
The factory floor, where toil begins its grind,
A class divides the owners from the mass;
The wealth is made, while workers fall behind,
Their surplus value captured as they pass.
So Marx observed the system's cruel design,
The capital that crushes every soul;
He saw the struggle as a battle line,
And predicted workers soon would take control.
A specter haunts the world, a communist plea,
To break the chains of exploitation's hold;
A world where man from man could be set free,
And not a single life be bought or sold.
Though widely debated, his idea's strong might,
Still calls for justice in the worker's plight.

Sonnet III: John Maynard Keynes and the Public Purse
When darkness fell, and markets stalled their pace,
And unemployment stalked the barren street;
The classical ideas lost their saving grace,
And something new was needed to compete.
Then Keynes arose, with theories bold and bright,
That government could spend and make things new;
To stimulate demand and bring the light,
When private hands could not see things through.
He championed the public’s open purse,
To build the roads, the bridges, and the schools;
To break the cycle of an economic curse,
And not let fate be ruled by rigid rules.
His vision saved the West, when hope was low,
And taught the world that public spending helps us grow.

Sonnet IV: Milton Friedman and the Money Flow
From Chicago's school, a different voice arose,
That government's big hand should be restrained;
That inflation's threat, the harm that it bestows,
Could only by controlled money be contained.
Friedman believed the market knew its way,
With freedom paramount for every man;
That limited control would win the day,
The best solution in an efficient plan.
He preached of monetarism's simple truth,
Control the money, keep the prices stable;
And bring back all the market's vibrant youth,
To make the private enterprise more able.
His influence strong, in Reagan's, Thatcher's time,
Freed markets soared, in prose and in their rhyme.

Sonnet V: David Ricardo and the Global Trade
He saw the land, its value and its rent,
And how comparative advantage holds;
Though one land might be best in all descent,
By trading things, a better story unfolds.
Let Portugal make wine, let England weave,
Both gain by focus on what they do best;
A global market where all can achieve,
And put efficiency unto the test.
His model of trade, a cornerstone so strong,
That guides the flow of goods across the sea;
A world connected, where all can belong,
In mutual benefit, in unity.
Ricardo's logic, a brilliant, simple plan,
To spread the wealth for every living man.

Sonnet VI: Paul Samuelson and the Synthesis
He brought two worlds of thought into one place,
The micro forces and the macro might;
A neoclassical synthesis for the human race,
That made economics shine in clearer light.
He standardized the way the subject's taught,
In textbooks read by students far and wide;
The fundamental wisdom that he brought,
Helps policy and reason to decide.
Supply and demand, and Keynesian demand,
All find their balance in his thoughtful prose;
A comprehensive grasp of sea and land,
That every single modern student knows.
His work endures, a masterwork of mind,
To understand the world and humankind.
The user wants the 

Sonnet X: Adam Smith's Unseen Hand
In Glasgow's light, where Adam Smith conceived,
A world of commerce, vibrant, vast, and free,
A force unseen, the "invisible hand," believed
To guide the markets, for all men to see.
He spoke of labour's strength, in every trade,
The division's power to increase the wealth,
If self-interest could only be obeyed,
And nations prospered, not by force, but health.
No government's heavy hand should steer the course,
But laissez-faire, a simple, elegant plan,
To let the market find its natural force,
And elevate the good of every man.
His words a blueprint for a world of gain,
Where choice and trade could break all prior chain.

Sonnet XI: The Call of Karl Marx
Then Marx arose, with words of fire and steel,
To see the system built on endless strife;
The exploitation that the workers feel,
The surplus value stolen from their life.
He saw two classes, locked in constant war,
The owning few, the many who must toil,
And argued that the rich would ask for more,
And keep the workers bound upon the soil.
The alienation of the self from work,
A hollow life, a meaning bought and sold;
He called for revolution, not to shirk,
But seize the means, a story to unfold.
His spectre haunts the systems built on gold,
A potent vision, powerful and bold.

Sonnet XII: The Wisdom of John Maynard Keynes
When markets failed, in times of deepest gloom,
And dire depression gripped the global stage,
Came Keynes, who shone a light within the room,
And turned the page to start a new, bold age.
"In the long run, we are all long dead," he said,
And urged the state to intervene and spend,
To boost demand when all the hope had fled,
And on unemployment, put a timely end.
No self-correcting market would appear,
Without a push from fiscal policy;
He banished doubt, he conquered every fear,
And championed a new economy.
His modern macroeconomics took the stage,
And helped the world escape the downturn's cage.

Sonnet XIII: The Creed of Milton Friedman
Then Friedman came, the Chicago man of might,
Who championed the markets, free and grand;
He swore that inflation was a simple plight,
"Always and everywhere a monetary phenomenon," planned
By governments who printed money fast.
He preached of monetarism, strong and true,
And said that only markets were meant to last,
With minimal the things that states should do.
He argued for individual choice and free a trade,
A voluntary army, and less state control;
His theories on the global stage were played,
And shaped an era, taking up the role.
His legacy still sparks the warm debate,
On money's power, and the hand of fate.

Sonnet XIV: The Trade of David Ricardo
Ricardo saw the value in the land,
And how the rent would rise as progress grew;
But on the global scale, he took a stand,
On trade, and made his theory shine anew.
"Comparative advantage," was his cry,
Not absolute, but relative the gain;
Let each nation make what it makes best to try,
And trade will benefit from the simple chain.
Though one may make all things with more dispatch,
It’s better still to specialize and sell;
A perfect, logical, and elegant match,
That makes the global economy run well.
His theory stands, a pillar strong and wide,
On which the world's great trading lanes still ride.

Sonnet XV: The Synthesis of Paul Samuelson
A synthesis of old and of the new,
Did Paul Samuelson bring into the fold;
He married Keynes and classics through and through,
A story waiting for the world to be told.
The micro-level, with supply and need,
The macro picture, with the state's command;
He planted every fundamental seed,
To help us grasp the market and the land.
His textbook taught a generation's worth,
Of how the global systems interlink;
He formalized the science from its birth,
And gave us all a common way to think.
His careful balance helped us comprehend,
Where markets start, and where our choices end.

Sonnet XVI: Joseph Schumpeter's Storm
Creative destruction, was the stormy word,
That Schumpeter did lend to progress' name;
The old must die, a necessary third,
For innovation’s bright and blazing flame.
The entrepreneur, a hero in the tale,
Who brings the new, and sweeps the old away;
Through capitalism’s cycles, they prevail,
In a dynamic, ever-changing play.
It is a process, violent yet grand,
That fuels the growth, the dynamism of trade;
A necessary churning of the land,
Where firms will rise, and others quickly fade.
He saw the chaos as a vital part,
Of progress' pulse, and every market heart.

Sonnet XVII: The Praises of Friedrich Hayek
Hayek believed the market was a mind,
A vast computer that could gather facts,
And in the prices, all the world would find,
The information needed for their acts.
No central planner could possess the knowledge,
That millions held in bits of price and sign;
From the street corner to the highest college,
The market’s signal was the true design.
He argued fiercely 'gainst the socialist plea,
For freedom's plan was in the market's run;
That liberty was tied to being free
From central mandates when the day was done.
A champion of choice, a liberal man,
Who saw the knowledge in the market's plan.

Sonnet XVIII: Amartya Sen and Human Need
When welfare's measure came to simple gain,
Did Sen propose a deeper, richer view;
That income only tells a part of pain,
And human capabilities shine through.
He spoke of functionings, what a life could be,
Not just the means, but what one has the choice
To do and be, in true liberty,
And give to every person their own voice.
Development, not just a rising GDP,
But freedom from the want and lack of skill;
A moral purpose for economy,
To meet the needs, the human needs fulfill.
His focus on the poor, the chance to thrive,
Keeps true compassion in economics alive.

Sonnet XIX: The Ideas of Joseph Stiglitz
Stiglitz revealed the flaws we often hide,
The asymmetric spread of what we know;
Where some information is denied,
And markets fail where perfect data doesn't flow.
The hidden action, adverse selection's snare,
Where those with knowledge have the upper hand;
He showed that markets are not always fair,
And intervention often makes a stand.
He argued that the government could fix,
The gaps and failures of the private sphere;
To shuffle up the economic tricks,
And make the playing field a little clear.
His work a challenge to the free-market creed.

That balance, not pure freedom, is the need.
Sonnet XX: Elinor Ostrom's Common Wealth
The "tragedy of commons," long believed,
Was challenged by the wisdom Ostrom found;
How communities, though often undeceived,
Could manage resources on their own good ground.
Without the state, or private ownership's claim,
The local folk could find a better way,
To share the wealth, and play the common game,
And see the sun rise on a hopeful day.
Her work a testament to human wit,
To trust the people in their local sphere;
To find a balance where all can fit,
And manage shared resources without fear.
A new perspective, from the ground up shown
That grassroots governance can stand alone.

Sonnet XXI: The Dawn of Behavioral Thought
Then Kahneman came, a different kind of eye,
To see the human mind, its twists and turns;
Not always rational, beneath the sky,
A lesson that the proud economist learns.
He spoke of biases, of Prospect Theory's weight,
That losses hurt far more than gains can please;
The mind makes shortcuts, sealed by simple fate,
And acts in ways that set us ill at ease.
The pure, rational actor is a myth,
A phantom in the economic text;
Behavioral thought makes all our models shift,
And shows how often human minds are vexed.
His work a window to the way we choose,
And how our perfect logic we often loose.

Sonnet XXII: The Legacy of Robert Solow
When thinking turned to how a nation grows,
Did Solow build his influential chart;
The Solow-Swan model that the expert knows,
A formal structure, elegant and smart.
He showed that capital and labour count,
But technology's the engine of the rise;
A steady state where savings all amount,
To growth determined by the skills we prize.
It taught the world that progress isn't just
From building factories or hiring hands;
In innovation, we must put our trust,
To make a difference in all the lands.
His legacy endures, a guiding light,
On how economies can reach their height.

Sonnet XXIII: The Vision of Douglass North
Douglass North saw systems built on rules,
The institutions that define our fate;
The formal laws, the informal social tools,
That shape a nation, make it small or great.
He argued that economies won't thrive,
Without a framework, stable and secure,
Where contracts can be trusted and alive,
And property rights are a thing to endure.
It's not just markets, but the rules of play,
That build prosperity for all to share;
A different lens to view the light of day,
And understand why some have wealth to spare.
His focus on the rules changed how we see,
The complex path to true prosperity.

Sonnet XXIV: The Insights of Ronald Coase
When firms decide, or property takes hold,
Did Coase reveal a different kind of cost;
Not just the price in silver or in gold,
But transaction burdens, easily lost.
The Coase theorem argues, clear and free,
That if those costs are low, the parties can agree,
On who should bear the burden, peacefully,
And reach efficient outcomes, naturally.
He showed the hidden frictions of the trade,
The legal framework, the time it takes to sign;
A vital insight for the world he made,
To help us see the market's true design.
His simple theories, powerful and vast,
Help make the complex world we know at last.

Sonnet XXV: The Work of Gary Becker
Becker applied the economic lens,
To all of life, beyond the market square;
To crime, to family, to our human senses,
And showed that rational choice was everywhere.
We weigh the costs, the benefits we seek,
In every action, every choice we make;
Though controversial, his ideas speak,
Of human logic, for our own good sake.
He brought the rigour of the market's mind,
To social realms where sentiment held sway;
A unifying theory, we could find,
To understand the choices of our day.
His bold approach expanded economics' reach,
To every corner, every human speech

Sonnet XXVI: The Logic of John von Neumann
He brought the math, the logic hard and bright,
With Morgenstern, a monumental leap;
To understand the choices in the fight,
When strategy's the promise we must keep.
Game theory was born, a powerful new tool,
To model conflict, and the way we play,
When outcomes hinge on following a rule,
And others' choices dictate night or day.
From war's fierce planning to a simple trade,
The logic holds, in every single game;
The payoffs measured, and the choices weighed,
A scientific way to play the name.
His work endures, in every strategic choice,
A powerful and mathematical voice.

Sonnet XXVII: The Legacy of James Buchanan.

Buchanan looked at government's own hand,
And saw the actors in a public stage;
Not purely angels working for the land,
But self-interest, turning every page.
Public Choice was born, the theory clear,
That politicians and bureaucrats have goals,
Beyond the public good we hold so dear,
They aim for power, and they aim for roles.
He brought the market's lens to view the state,
And called for rules to bind the public will;
To make democracy more truly great,
And stop the impulse for the fiscal bill.
His work a warning, keep the government small,
Or watch the public interest surely fall.

Sonnet XXVIII: The Insights of George Akerlof
Akerlof exposed the lemon's hidden fate,
The used car market, where the buyer fears,
That sellers know much more, soon or late,
Which leads to failure, and to buyers' tears.
"Asymmetric information" was the key,
To market problems, where the quality lacks;
The good cars hide, the bad ones roam so free,
And efficiency breaks down upon its tracks.
His work revealed where markets can go wrong,
And justified some rules, some oversight;
A necessary rhythm to the song,
To bring the hidden problems into light.
His work ensures we see the market's flaws,
And strive for systems built on fairer laws.


Sonnet XXIX: The Genius of Herbert Simon
He challenged reason's perfect, flawless reign,
The "rational man" who knew all, clear and true;
Said Simon, we have limits in the brain,
Our "bounded rationality" is due.
We "satisfice," we do not optimize,
We seek enough, not everything that's best;
A simple, human logic that applies,
To all our choices, putting us to test.
He brought psychology to economics' door,
And showed the human mind is complex, slow;
A different kind of logic to explore,
To help our understanding truly grow.
His genius lies in seeing human worth,
Not as machines, but as we are from birth.

Sonnet XXX: The Work of Robert Lucas Jr.
Lucas looked ahead, with rational eyes,
At how the future shaped the present day;
He taught that people are not taken by surprise,
And factor in what policies will say.
"Rational Expectations," was the phrase,
That challenged Keynesian short-term fixes deep;
For people learn, and change their mindful ways,
And make promises that the government must keep.
No easy boost from printing money more,
If people know the inflation that will rise;
They act beforehand, evening up the score,
And make the policy goals their enterprise.
His theories powerful, a new design,
That makes the macro models more refined.

Sonnet XXXI: The Insights of Thomas Schelling
Schelling explored the choices we all face,
When strategy is key and outcomes depend,
Not just on us, but others in the place,
On nuclear war and how disputes might end.
He looked at Micromotives that we have,
And how they lead to macro, larger results;
The segregation that we cannot waive,
The unexpected patterns that adult.
He showed that small choices, seemingly benign,
Can lead to systems we never would choose;
A powerful and insightful design,
That in the logic, we can often lose.
His work on game theory and dynamics shines,
And helps us see the world, in complex lines.

Sonnet XXXII: The Legacy of Vernon Smith
Smith took economics to the lab's domain,
And built experiments, controlled and clear;
To see how markets work, and test the rain,
Of theories old, and banish every fear.
He showed that real people, playing games,
Could often reach what theory had defined,
That supply and demand had real names,
And rationality was not left behind.
He pioneered the field, a guiding light,
Of experimental economics' grace;
To test the models with the human might,
And put the science in a certain place.
His work endures, the evidence is sure,
That human action makes the truth endure.



Sonnet XXXIII: The Work of Finn Kydland & Edward Prescott

They focused on the time, the future's reach,
And "time inconsistency," the problem clear,
When promises made, are easy to impeach,
And future actions lead to doubt and fear.
They showed the need for rules, for steady laws,
Not just discretion, changing every day;
For certainty provides the market's cause,
And helps the long-term planning find its way.
Their real business cycle theory too,
Revealed the cycles in the rise and fall;
Not just from money, but from changes true,
In technology, that answers nature's call.
Their influence on macro, deep and vast,
Ensures that stable policies will last.

Sonnet XXXIV: The Insights of George Akerlof & Robert Shiller

With Shiller, Akerlof did warnings sound,
On "phishing" in the marketplace so grand;
Where firms exploit the flaws they have all found,
In human nature, across every land.
They show how easily we are misled,
By tricks and traps designed to part our cash;
Our rational minds, so often left for dead,
In market moments that are quick and rash.
Their work a caution, keep a wary eye,
On all the ploys the companies might use;
To see the truth, beneath the market sky,
And be much wiser in the way we choose.
They bridge the gap, from bias to the deed,
And plant within our minds a cautious seed.

Sonnet XXXV: The Legacy of Christina Romer
Romer studied history, the past as guide,
On fiscal policy and how it works;
The effects of taxes, where the answers hide,
And spending's power, in all its twists and quirks.
She looked at data, from the war's demands,
To peacetime cuts, and found a clear result:
That government can help with guiding hands,
To stop the downturn, and the market's jolt.
Her work provides the evidence we need,
That action by the state can turn the tide;
To help the jobless, plant the hopeful seed,
And keep the economy from things it must hide.
Her data-driven insights stand so true,
To show what policy can truly do.

Sonnet XXXVI: The Vision of Esther Duflo
Duflo brings the lab down to the field,
With "randomized control trials," clear and bright;
To see what help for poverty can yield,
And bring the evidence into the light.
From bed nets used to stop disease's spread,
To better teaching methods in the class;
She tests what works, not what is merely said,
And helps the aid to effectively pass.
Her rigorous approach to fighting want,
Has changed the face of world development;
No grand theories, no ideological haunt,
But simple facts, a clear and true intent.
Her work ensures that help is used with care,
And makes a difference, ending all despair.

Sonnet XXXVII: The Ideas of Thomas Piketty
Piketty looked at data, back in time,
Through centuries of wealth and income streams;
And found that capital grows in its prime,
Much faster than the wages in our dreams.
His Capital in the Twenty-First Century cries,
That inequality is in the plan;
Unless we act, the gap will always rise,
Between the wealthy and the common man.
He calls for taxes on the wealth we hold,
A global levy, strong and truly just;
To stop the concentration of the gold,
And build a world where all can share the trust.
His careful data makes the case so clear,
That action must be taken, conquering fear.

Sonnet XXXVIII: The Legacy of Kenneth Arrow

Arrow explored the choices that we make,
In groups, when voting shows a muddled will;
His "impossibility theorem" did break,
The notion that collective choice runs still.
He showed that no perfect system can be found,
To aggregate the preferences of all;
A paradox upon democratic ground,
Where social choices often rise and fall.
He also worked on risk and uncertainty,
And showed the need for markets for insurance;
His insights crucial for economy,
And how we manage risk with some endurance.
His genius vast, his logic sharp and true,
Helps us to see what systems can and cannot do.

Sonnet XXXIX: The Work of Robert Merton

Merton took the math of physics, strong and deep,
And brought it into finance, making sense
Of options pricing, secrets we can keep,
To manage risk, to build a safe defense.
The Black-Scholes model, with Scholes by his side,
Revolutionized the way the markets play;
How derivatives are valued, far and wide,
And risk can be effectively put away.
His work brought science to the world of trade,
And made the finance world more sophisticated;
Though some would say that problems have been made,
It's changed the way that risk is calculated.
His powerful equations hold their sway,
In every market, every trading day.

Sonnet XL: The Insights of Ronald Coase (Revisited)
Though mentioned earlier, his insights run so deep,
That more must be said of Coase's simple way;
On social costs, the promises we keep,
And how the law affects our work and play.
The factory pollutes, the farmer's crops all fail,
But Coase suggests a deal might be the key;
If property rights are clear, the trade will sail,
And efficiency will reign for all to see.
The transaction costs are all that truly bar,
The private solutions to the public's bane;
He showed how law and economics travel far,
To solve the problems, ease the simple pain.
His logic simple, powerful, and clear,
Helps make the complex market reappear.

Sonnet XLI: The Vision of Douglass North (Revisited)
North showed that history is built on rules,
Not just the whims of markets and of kings;
The institutions are the guiding tools,
That shape the world and all the wealth it brings.
From property rights to contracts that we sign,
The framework matters for the growth of trade;
It sets the course, it draws the crucial line,
Between the nations where a fortune's made.
Without the rules, the costs of trade are high,
And trust is absent, making markets fail;
His insights help us see the reasons why,
Some nations flourish, while the others wail.
His focus on the institutions' might,
Has cast upon development a brilliant light 

Sonnet XLII: The Storm of Joseph Schumpeter
Creative destruction, was the stormy word,
That Schumpeter did lend to progress' name;
The old must die, a necessary third,
For innovation’s bright and blazing flame.
The entrepreneur, a hero in the tale,
Who brings the new, and sweeps the old away;
Through capitalism’s cycles, they prevail,
In a dynamic, ever-changing play.
It is a process, violent yet grand,
That fuels the growth, the dynamism of trade;
A necessary churning of the land,
Where firms will rise, and others quickly fade.
He saw the chaos as a vital part,
Of progress' pulse, and every market heart.




























































































































































































Chapter 13-Oliver Twist.

We enter into new month of victory and success and our month of unpredictable and unprecedented breakthroughs 
.We shall not be the same again.Let yourself be the change you want to see in the world.
I was threatened by my friend yesterday when they lamented their ordeal and influenced this narrative 
"prof we re getting stressed Nigeria is too hard and things are hard.Listen:"
"Prof good day how are you?"
"Am fine don't you know things are too hard now?"
"How?"
"Dont you know a room and a parlour self contain is now 600,000 to 700,000 in Lagos?"
"You mean self contain?"
"Agreement and commission?"
"No only rent with agreement and commission 250 250"
"Making 1.1m?"
"Exactly"
"This is too much how will folks survive now?"
"That's what we re telling you not to support Tinubu for second term and am telling you "
"This is too much"
"Uhmmmmm "
"Let us do voodoo.There's no other way . Voodoo is faster"
"Pastor you hear what he said.What alfa said"
"Yes I supported him because you re an atheist and we said we ll tell you because only you can do it Show us the way"
"Ha so pastor has dumped bible to cut corners?"
"But you say there's money in Nigeria and you talk about money and money.Show us the way ."
"It remains small "
"That is what you keep saying until we all die finish . There's no hope for masses in Nigeria.People would soon be homeless.Where will they get the money to pay for more than half a million as salary.And here prof you re standing boasting there is serious money and you can show us.'
"Guys are doing voodoo and it seems the fastest things now to riches in the country"
"Don't mind prof.As a matter of fact a friend of us just hit it now if you see his mansions and cars his parent and families making hell of money now"
"We asked him how did he do it?"
"Wait he said we should call him a ritualist."
"You hear that prof.People are suffering in Nigeria and this tinubu era is so bad .Still you re fond of him."
"I don't know what tinubu did for your life"
"Every day you talk about money in Nigeria and we re not seeing anything."
"Which babalawo do you know show us?"
"So pastor you support him?"
"How ?you said you have money we re hungry Not that I support him but with the way things are going.Every is bad going really bad Where will poor man get half a million house rent from?I don't know that's why killing is increasing every day."
"Send me messages on wasaap to remind you of your concern.We re launching our company's private placement soon.Infact we re already we Ve raised some money and we re employing the first fifty managers in our specialist farms and intergrated farms all over the country barricaded with fences and robots to be deployed and we need human supervisors.You don t have to worry and we will survive the storms.Annual revenue of the ten firms is ten billion naira net profit I means after excluding general expenses."
"Good that is what I want to hear from you.Are we starting now?"
"See wait let me call the guy to bring vehicle and you re the first set of guys to be appointed to handle the farms as directors in charge of farms and estate farms"
"I know you have actions we need help this Time."
"You know we re exporting cucumber "
"You told me before "as they conversed and heaved a sigh of relief the Lamborghini Aventador came and zoomed"My Gosh prof so you get Lamborghini the car Ronaldo bought?"
"We re going into lekki and banana island your contract job is ten million naira yearly basic excluding allowances and pastor you will handle real estate investment for me."
"Prof I know you have actions "both launching hysterically as alpha dropped his Pos booth and pastor jettisoned earlier discussion with clients looking for houses to rent.They can't even pay forms."See what about other nigerians suffering "as they entered the posh vehicle and headed to Ikeja enroute obalende."
That is the problem I have with nigerians they re Oliver twist,you can't satisfy them"
"Alfa keep quiet don't stress prof.he had tried"the driver laughing joined in the conversation"I just worked for prof now two salary of 250k prof paid me a million naira "
"You mean prof.?"
"Stop doubting him"
"Where do I go sir?"
"Go straight 2nd avenue "
"You see prof is rich and you didn't know "
"Where are you going?"
"Banana island!"
"Alfa so na true prof got a mansion there?"
"I thought he was joking "
"We re wrong not to believe him"
"In a hour time you ll meet the damn thing lawyer and he ll give you the directors contract to sign while I go to banana to talk to pastor.He ll drop you in lekki."
"Okay okay"
"See when you talk of Nigerians let me finish yours first.See we have plans to create three hundred million jobs in Nigeria "
"Jesus!"
"I don't trust tinubu and that's why I will campaign and I have a Midland People's party to do that and I will campaign for election in Nigeria and I will win"
"Prof have vision o"they started laughing hysterically.
"We don't doubt you we believe you.Have I ever seen a million before?"as they laughed and bantered they drove past admiralty road where alfa was directed to the posh office of Midland the new multinational corporation set up to compete against fortune 500 global companies and rescue Africa fro nom poverty with the goals to be the highest creator of jobs in the continent a whooping five hundred million jobs half of the continental population."We re now at 2nd avenue and see this Davido's mansion this is prof.villa"pastor marvelled"What deal you have for me?"
"We re building estate you re a developer and we have a plan already an estate of two billion.You have to join the team and go to the same we drop alfa after you collect your letter of appointments and join the management team."as moved up the elevator and entered the posh dining room to the welcome of lady stewards"Welcome sir you re late your food is ready "
"What do you have for the morning?"he queried them passionately"Your usual pap and plenty of moin moin for the Mondays.We saw you left home early and we could nt see you so we waited"
"I think the pap is not cold yet."
before he sat he gesticulated to the stewards"Bring the letter give my guy . Pastor let us eat together."as they sat to bombard twenty hefty chunk of moin moin and breaking them down and swallow the sweet morsels in record speed especially the hungry pastor in the mastication and not left behind prof himself not an abstemious ravishing man but a glutton of food.end of first chapter.

October 29, 2025

The Assembly Required



The following play by the blogger ibikunle Abraham laniyan is a one-act comedy in the style of contemporary, naturalistic theater. It is set in a confined location with a small cast and focuses on a single incident, making it suitable for a new playwright or a small theater production. The dialogue is designed to feel authentic and conversational, with interruptions and small tangents that add realism.



The Assembly Required


Characters:

ANNA: A meticulous, high-strung woman in her late 20s.
MILES: A laid-back, overly confident man in his late 20s, Anna's new boyfriend.
Recalling Bernard Grebanier's definition, a one-act play is an elaboration of a single, significant incident with a twenty to sixt...
Setting:
The living room of a small, modern apartment. Two large, unlabeled, flat-pack boxes sit on the floor. Various parts, including screws, wooden dowels, and oddly shaped pieces, are spread out on a blanket. The instructions—a single sheet of paper covered in inscrutable diagrams—are on the floor between the boxes.
(The play begins with ANNA holding a single wooden dowel, staring intently at the instructions. MILES enters, carrying two cans of soda.)
MILES
(Handing Anna a can.)
Here we are. The tools of our trade. Sugar and caffeine.
ANNA
(Doesn't look up.)
What is this? What does this mean?
MILES
(Sits on the floor, crossing his legs.)
Relax, babe. It's just a coffee table. It's not a nuclear reactor.
ANNA
(Gestures with the dowel at the instructions.)
"Just a coffee table" wouldn't require a flow chart to explain how to assemble a single shelf. Look at this. It's like a cave painting depicting a brutal battle.
MILES
You're overthinking it. It's intuitive.
ANNA
Intuitive? Miles, the first step is a drawing of a smiling man holding a wrench, followed by a frowning man holding the same wrench. What does that tell me?
MILES
It means the wrench is optional. The smiling guy just likes his job.
(Miles picks up a piece of wood and immediately starts trying to slot a dowel into it.)
ANNA
(Snatching the wood away.)
Miles! Stop! You'll break it! We haven't even—
MILES
I'm just getting a feel for it. You have to understand the material. It's a dialogue between man and particle board.
ANNA
This is not a dialogue. It's a unilateral demand that we figure out how to put this together with zero guidance. The only thing I understand is that "part F" is now "part 7," but the diagram clearly shows a hexagonal shape.
MILES
(Picks up a handful of screws.)
You know what my dad always said?
ANNA
No, but I'm guessing it involved power tools and a trip to the emergency room.
MILES
"When in doubt, use a bigger hammer."
(Anna stares at him with an expression of pure, unadulterated horror.)
ANNA
We are not using a hammer. We are using the correct tools. The ones that came in the box.
MILES
(Holding up a tiny Allen key.)
This? This is a child's toy. This is what you get with a toy car from a cereal box.
ANNA
It is the only tool provided.
(Miles sighs dramatically and lets the screws drop back onto the blanket.)
MILES
Okay, fine. Let's start from the beginning. Give me the holy scripture.
(Anna hands him the instructions. Miles holds them upside down for a moment before flipping them around.)
MILES
(Studying the page.)
See? Easy. Step one: assemble the base. All you have to do is connect the vertical and horizontal supports.
ANNA
(Looking over his shoulder.)
And which ones are those? All the pieces look the same. They're all the same beige color with pre-drilled holes in random places.
MILES
(Pointing.)
This is a vertical. This is a horizontal. It's all in the orientation.
(Miles holds up two identical pieces of wood. He turns one 90 degrees.)
ANNA
They're the same piece. You just rotated it.
MILES
Exactly! It's a test. A test of our perception. This is more than a piece of furniture, Anna. This is a journey of self-discovery.
ANNA
I don't want a journey. I want a coffee table.
(Anna picks up a long, flat piece of wood. She holds it out in front of her.)
MILES
(Grabs a smaller piece.)
This is the top. It's got the logo on it.
ANNA
Why would they put the logo on the bottom? No, this is definitely the—
(A loud cracking sound comes from one of the boxes. A part inside shifts and splits.)
ANNA and MILES
(In unison.)
The base.
(They stare at the silent, dented box. Anna slowly puts down her piece of wood and looks at Miles.)
ANNA
You were saying something about a hammer?
(Miles grins slowly, his confidence returning. He picks up one of the cans of soda and pops the top with a triumphant hiss. Anna does the same, and they both clink their cans together in a mock toast.)
(The lights fade to a soft blackout.)
The End


ANNA
This must be the top. It has the nice, finished edge.
continue
(The lights come up again on ANNA and MILES. They are now visibly disheveled. The floor is a battlefield of wood, metal, and plastic. A partially assembled, lopsided frame stands awkwardly in the middle of the room, looking less like a coffee table and more like a minimalist sculpture of a failed endeavor.)
MILES
(Staring at the wobbly frame.)
You know, I think it's got character. Rustic. A little bit... avant-garde.
ANNA
(Dusting particle board crumbs off her sweater.)
It's going to collapse the moment we put a book on it. And by "character," you mean it looks like a drunken scarecrow.
MILES
No, no. See? The tilt. That's a conversation starter. "Hey, where did you get that?" "Oh, we built it ourselves. We're very creative."
ANNA
(Holding up a screw.)
Miles, this is a hex screw. The instructions clearly show a Phillips head. They sent the wrong hardware.
MILES
(Exasperated.)
Fine! We'll just... improvisé. You know? Go off-script. We'll make it our own.
(Miles picks up the tiny Allen key from before. He examines it with an air of profound thought.)
MILES
(Whispering.)
Wait. What if it's not a wrench? What if it's a key? A key... to unlocking the table's true potential.
ANNA
(Groaning.)
Miles, please.
MILES
No, seriously! The little L-shape. It's like a divining rod. It's telling us... (He holds it up to the air.) ...it's telling us to find a different way.
ANNA
What are you doing?
MILES
MacGyver. I'm going full MacGyver on this thing. We're not following the rules anymore. We're a renegade team of furniture rebels.
(He starts to tie the spatula to one of the wobbly legs with the shoelace.)
ANNA
You're going to put our coffee on a spatula?
MILES
It's a temporary support structure. A little bit of guerrilla engineering. See, this is the problem with your process. It's too rigid. You gotta embrace the chaos. Embrace the—
(Just as he finishes the sentence, the top of the coffee table, which Anna had placed precariously, slides off and clatters loudly to the floor.)
MILES
(Frozen.)
...embrace the... oh.
(Anna stares at the now-split piece of wood. She slowly walks over to it and picks it up.)
ANNA
(Holding the wood.)
The smiling man... and the frowning man... they were a warning.
MILES
Okay, so maybe a little bit of chaos. But we're a team! We can still do this. We'll just... glue it back together.
ANNA
(Eyes wide.)
Glue. The instructions didn't mention glue.
MILES
That's the spirit! Improvisation! I'll get the superglue. We can watch it dry together. It'll be a bonding experience.
(Miles rushes off to find the glue. Anna stands alone in the wreckage, holding the broken piece of wood. She looks at the soda can still in her hand, the can they toasted with hope. She sighs, then, with a new, quiet determination, she takes a long, slow sip.)
(When Miles returns, a minute later, with a small bottle of glue, Anna has already started unscrewing a different section of the table, working methodically.)
MILES
(Holding up the glue.)
I found it! And I found a YouTube tutorial on how to fix furniture with—
ANNA
(Without looking up.)
Put it away.
MILES
What?
ANNA
I said put it away. I'm taking it apart.
MILES
(Deflated.)
But... we were so close!
ANNA
(Firmly.)
We were close to an earthquake. I'm starting over. Properly. With the proper instructions.
MILES
(Sits on the floor, looking defeated.)
But the instructions are—
ANNA
(Holds up her phone.)
I found a video. In English. And it's animated.
(Miles looks at her, dumbfounded, then at the half-disassembled mess. He slowly gets up and walks to her side, pulling up a piece of the blueprint and trying to compare it to the video.)
MILES
(Grinning.)
Teamwork.
ANNA
(Still focused on the phone.)
Don't get used to it.
(She points to a section of the video. Miles, finally listening, picks up a piece of wood and begins to follow her directions. He still looks a little unsure, but for the first time, there is a hint of genuine cooperation. The living room is still a mess, and the coffee table is still a long way from being finished, but the silent, cooperative work has finally begun.)
(The lights fade out completely.)
The End



ANNA
(Looking at the instructions.)
The script is a series of poorly drawn images and a note in a font so small it must have been written by a hummingbird. We've been off-script from the beginning.
(Miles stands up and begins to pace around the apartment. He grabs a spatula from the kitchen and a shoelace from a stray shoe.)
continue
(The lights rise on ANNA and MILES. They are still on the floor, surrounded by the remnants of the flat-pack fiasco, but now there is an air of focused, determined silence. Miles holds the phone, squinting at the screen, and Anna holds a long, flat piece of wood, carefully studying the corresponding animated diagram.)
MILES
(Quietly.)
Okay. The video says to take "Part D"—the long one—and join it to "Part J," the square one.
ANNA
(Doesn't look up.)
No. See the indentation? On my screen it's saying to connect the dowels on "Part A" to the pre-drilled holes in "Part G."
MILES
(Confused.)
The video I'm watching doesn't have a "Part G."
(They both look at their screens and then at each other.)
ANNA
(Sighs.)
Did you find a video for the exact table?
MILES
It said "Coffee Table Assembly" and showed a blonde woman smiling at a box. What more do you want?
ANNA
(Takes the phone from him.)
This is for the "Zenith 5000." We bought the "Minimalist Cube."
MILES
It's just a coffee table, Anna. How different can it be?
(Anna, seeing this as a teachable moment, takes the "Part G" from the floor and shows it to him.)
ANNA
This piece is completely different. The holes are in different places. The Zenith probably has a secret compartment for your keys. The Cube is literally a box.
(A quiet descends. Miles looks at the pieces, then at Anna's stern but calm face, then back at the phone. He finally lets out a deep, cleansing sigh and nods.)
MILES
Okay. Your video. Your rules.
(Anna looks at him, surprised by his surrender, and a soft, hesitant smile touches her lips. She points to a spot on the video.)
ANNA
First, we put all the screws in the right pile.
MILES
(Starts separating the screws.)
This is a metaphor, isn't it? For our relationship. You know, "the foundation," "the connection points," "the wrong screws..."
ANNA
(Looks at him and smirks.)
Miles, I just want the coffee table.
(They work in silence for a few minutes. He is less of a rogue and more of a partner now. He holds the pieces steady as she fits the dowels into the holes. They don't talk, but they are communicating with glances and gestures. The table begins to take a proper shape, slowly and methodically.)
ANNA
(Holding up a nearly complete leg.)
It's... solid.
MILES
(Taps it.)
Rock solid. Looks like we didn't need the spatula after all.
MILES
What about this guy? The little wooden thingy.
ANNA
(Looks at the video.)
Ah. That's a cosmetic cap. It covers the screw hole.
MILES
(Nods, then holds up the cap.)
Perfect. For the inevitable wrong turn we took. A cap for the screw-up.
(He winks. She shakes her head, but she's still smiling. They finish the assembly in a more efficient, less stressful manner. Finally, they stand back and look at their handiwork. It's not perfect. The veneer on one side is slightly scuffed, and one of the drawers doesn't close completely flush. But it's there. It's a coffee table.)
ANNA
(Runs her hand over the top.)
It's... good.
(He moves to sit down on it triumphantly. Before he can, Anna reaches out and grabs his arm.)
ANNA
Miles. Don't.
MILES
What? It's sturdy.
ANNA
It's brand new. We don't know its limits yet.
MILES
(Sighs dramatically.)
There's the Anna I know. Always thinking ahead.
(He sits next to it on the floor instead. He looks at her, and she sits down beside him.)
ANNA
(Looking at the table.)
You know... we still have that bookshelf to put together.
MILES
(Looks at her, eyes widening.)
Anna...
ANNA
(Holding up her phone with a newly found instructional video.)
It's in Portuguese, but the animations are very clear.
(He stares at the phone, then at her, then lets out a long, theatrical sigh. He smiles.)
MILES
I'll get the sodas.
The End



ANNA
(Smiles.)
We would have been living in a house full of spatulas.
(He smiles back. The feeling of success is small but potent. He reaches for a final piece, one that's been discarded earlier, a small wooden peg.)
MILES
(Pats her on the back.)
We did it.
(The lights fade out.)
(The lights rise. The bookshelf is assembled. It's a bit crooked, leaning subtly to the left, but it is, without a doubt, a standing, functional bookshelf. A single Portuguese instructional video still plays silently on Anna's phone, now propped up against a soda can. A small stack of books and a single houseplant already sit on the top shelf.)
MILES
(Stretching, then admiring their work.)
I told you it had character. A little... leaning.
ANNA
(Looking at the silent video.)
I don't think "character" is the word. Maybe "pre-stressed."
MILES
(Walks over and touches the top shelf.)
No, it's good. It shows we made it. Not some factory machine. This was built with blood, sweat, and several tears of sheer, unadulterated rage.
ANNA
(Smiling softly.)
Just the usual relationship milestones, then.
(Miles sits on the floor and pulls Anna down beside him. They look at the finished bookshelf together.)
MILES
You know... we still have that dining table. The one that came with the benches.
ANNA
(Stares at him, and her eyes widen with a playful, theatrical terror.)
Oh, no.
MILES
(Grinning.)
It's got a special feature.
ANNA
(Whispering.)
What special feature?
MILES
No instructions at all.
(Anna stares at him for a moment, then reaches for her phone. Miles, still grinning, intercepts her hand and holds it.)
MILES
This time... no video. We'll do it your way. The intuitive way.
ANNA
(Raises a skeptical eyebrow.)
Are you sure? Last time we tried that, we almost killed a coffee table.
MILES
(Looks at the leaning bookshelf, then at her.)
Yeah. But we learned something, didn't we?
ANNA
(Thinks for a moment, then smiles.)
We learned that my phone's battery lasts longer than my patience.
(He laughs. She laughs too. The sound of their shared humor fills the room. He pulls her closer, and they sit there, amidst the remaining flat-pack detritus, bathed in the soft, triumphant glow of a newly assembled bookshelf.)
(A single screw falls from the top shelf and clatters to the floor.)
MILES
(Looks at the screw, then shrugs.)
A souvenir.
(He kisses her. The lights fade to black.)
The End
Act 1, Scene 11
Characters:
ANNA: A meticulous, high-strung woman in her late 20s.
MILES: A laid-back, overly confident man in his late 20s, Anna's new boyfriend.
Setting:
The living room of a small, modern apartment. The bookshelf stands, a little crooked, but functional. A new, much larger, and significantly more intimidating flat-pack box rests in the center of the floor. It is simply labeled "THE BENCH." The coffee table, assembled in previous scenes, sits quietly in the background.
(ANNA is on her knees, meticulously laying out all the wooden dowels, screws, and other parts for the bench. MILES enters with two cans of soda, as he did in Scene 1.)
MILES
(Grinning.)
Round three. This time, we're seasoned veterans. We've earned our stripes. We're a well-oiled, flat-pack-assembling machine.
ANNA
(Doesn't look up.)
Don't get cocky. This is the big one. The benches. We're building furniture meant for people to sit on. The stakes are higher.
ANNA
(Accepts the can.)
Did your dad also say, "Make sure the elephant is properly seasoned and doesn't contain any toxic, poorly labeled parts"?
MILES
(Sits on the floor, crossing his legs.)
That's the confidence talking. And speaking of confidence, I've got a new approach for this one.
ANNA
(Suspicious.)
And what's that? A new MacGyver technique involving the leftover screws and a kitchen sponge?
MILES
(Holds up his hands, palms outward.)
No, no. I've been studying. I found a forum online. It's for people who love flat-pack furniture. They call themselves "The Assemblers."
ANNA
(Raises an eyebrow.)
And what do "The Assemblers" say?
MILES
They say the instructions are a mind game. The smiling man and the frowning man? It's not about the wrench. It's about your mental state. You have to start in a state of Zen.
ANNA
(Stares at him.)
You're not serious.
MILES
Completely. The Zen approach. Find your center. Be one with the particle board.
(Miles closes his eyes and starts humming softly. He picks up a wooden dowel, holding it upright like a small totem, his eyes still closed. Anna watches him with a mixture of bewilderment and amusement. Suddenly, Miles's humming stops, and his eyes pop open.)
MILES
(Whispering.)
Wait. The instructions.
ANNA
(Sighs.)
What about them?
MILES
(Points a shaky finger at the sheet of paper on the floor.)
I think I see it.
ANNA
(Leans in closer.)
See what?
MILES
The dots. The dots on the schematic. They're not just dots. They're braille.
(Anna stares at him, open-mouthed, for a long beat. Miles, emboldened by his "discovery," picks up the instructions and starts running his fingers over the tiny dots on the page.)
MILES
(Excitedly.)
It's a code! It's a message! It's telling us to... to... (He closes his eyes again, concentrating.) ...to use "Part Q." What is "Part Q"?
(He scans the parts laid out on the blanket. He holds up a small, metal bracket. Anna, who has been quietly organizing the screws, holds up a different, smaller, curved piece of wood.)
ANNA
I thought "Part Q" was this. It looks like a boomerang.
MILES
(Shakes his head emphatically.)
No, no. The braille is clear. It's this one. The metallic-y one. It's telling us to join "Part M" and "Part P." I see it now. The A