ART IN CHAOS.PART 31

of such allusion.Paradoxically dis-historians profited from the credulity of shallow allusions to which they subscribe and not too benign to abscond their belted earl.It sound apalling history favours picturesquely the conical erupted bedlam of those allusions that snatched away with abundant savagery the distant glimpses of information democracy,wherein avalanche of irreverend historical identities overflowing pages of history and its sandbank with rebels,outlaws and urchins haunted by licentious sepulchre of boisterous atmosphere cultivated and stinted whose faggots might have been fostered to be aligned with the public defenders of social freedom.So intensive was the savagery of hallucinatory hotchpotch between the villains and heroes of history,that checkered antecedence in favour of public defendered were densely rigged and esteem scribbled in favour of villains.Circumstances that ricocheted their emergence besides,what this beleaguered hotbed of most caviled earthlings did with lifetimes so much matter