He builds his poems like a mason’s wall,
Each word a stone, precisely hewn and laid.
He fears no "looming shadow" or a "fall,"
For in his "stanzas," courage is displayed.
He uses "syntax" like a "weaver’s loom,"
To knit the "torn and tattered" back to one.
His "lines" provide a "spacious, quiet room,"
Where "weary, heavy labor" can be done.
He speaks of "integrity’s unshaken base,"
A "vocabulary" stern and yet sublime.
He finds the "poetry" in every "face,"
That weathers through the "changing winds of time."
No "empty ornament" or "idle rhyme,"
But "rhythmic ladders" that the soul may climb.
Sonnet 17: The Proverbial Pen
His "poetry" is steeped in "ancient lore,"
Where "Yoruba wisdom" meets the "modern page."
He knocks upon the "ancestral, heavy door,"
To bring their "counsel" to a "digital age."
He writes of "patience" as a "rooted tree,"
And "truth" as "water" flowing from a spring.
In every "rhyme," he seeks a "remedy,"
For every "sharp and sudden, bitter sting."
"The hand that gives is never truly dry,"
A "poetic maxim" he is fond to use.
He looks beneath the "vast and silent sky,"
For "vibrant colors" and for "noble hues."
He translates "silence" into "living speech,"
With "lessons" that the "simplest heart" can reach.
Sonnet 18: The Drama of the Written Word
His "plays" are "monologues" of "inner light,"
Where "conscience" is the "actor on the stage."
He scripts the "victory" over "moral night,"
Upon the "white and glowing, glowing page."
He uses "metaphors" of "masks and shields,"
To show how "character" is "forged in fire."
He describes the "fertile, green and open fields,"
Of "sacred, high and communal desire."
His "speeches" are but "poems" set to "pace,"
A "cadence" that "commands the pulse" to rise.
He finds a "sanctuary" in "grace,"
And "vision" in the "unclouded, steady eyes."
Through kunlemicrofinanceTV, his "voice" is cast,
A "bridge" from "ancient wisdom" to the "last."
Sonnet 19: The Lexicon of the Soul
He avoids the "jargon" of the "lofty school,"
To speak the "vocabulary of the heart."
He treats the "golden and the ancient rule,"
As the "essential, foundational part."
He writes of "neighbor," "service," and of "bread,"
Words that are "weighted" with a "holy force."
By his "poetic guidance," we are led,
To find the "pure and unpolluted source."
He calls "selfishness" a "stagnant, darkling pool,"
And "generosity" a "rushing, silver tide."
He uses "rhythm" as a "teaching tool,"
With "nothing hidden" and with "naught to hide."
In "essays" on the Kunle Microfinance Blog,
He "rhymes" the "struggle" with the "victory."
Sonnet 20: The Weaver of Motivational Threads
His "quotes" are "garments" for the "naked mind,"
Woven from "threads" of "sturdy, common sense."
He seeks to "liberate all humankind,"
From "ignorance" and "fearful, cold defense."
"The mind is capital," he often says,
A "verse" that "starts the engine" of the day.
He finds a "thousand, bright and different ways,"
To light the "narrow and the difficult way."
His "poetry" is "fuel" for the "faint,"
A "melody" for those who "toil in vain."
He paints the "hero," not the "perfect saint,"
Within the "crucible" of "earthly pain."
A "poet-mentor" for the "modern crowd,"
Who speaks the "truth" both "clearly and aloud.
As of 2026, the literary identity of Ibikunle Abraham Laniyan on platforms like kunlemicrofinanceTV and his blogs is defined by a "Philosophy of the Small." His poetry and motivational essays utilize a specific vocabulary—words like "synergy," "resilience," "grassroots," and "legacy"—to transform economic concepts into spiritual mandates.
Sonnet 21: The Alchemist of Words
He takes the "common speech" of market stalls,
And turns it into "verse of high degree."
He hears the "silent, desperate, morning calls,"
And writes a "hymn for all humanity."
His vocabulary is a "sharp-edged tool,"
He speaks of "synergy" and "sacred trust."
He proves the "cynic" is a "blinded fool,"
Who sees but "shadows" and the "settling dust."
On TikTok’s stage, he gives a "brief refrain,"
A "spark of lightning" in a "scroll of gloom."
He finds the "poetry" within the "grain,"
And "possibility" in "narrow room."
He is the "alchemist" of "hopeful thought,"
Who sells the "wisdom" that can not be bought.
Sonnet 22: The Speech of the Community
His speeches are like "rivers in the plains,"
That "nourish every dry and thirsty root."
He seeks to "break the heavy, mental chains,"
And "cultivate the moral, ripening fruit."
In Friends of the Community, he weaves
A "tapestry" of "service" and "regard."
He finds the "scripture" in the "falling leaves,"
And "beauty" in the "working, calloused yard."
He uses "alliteration" to "persuade,"
"Purpose, Power, Peace"—his "triple flame."
He is not of the "failing world" afraid,
But "gives the nameless struggle" a "bold name."
Through YouTube’s lens, his "cadence" is a "song,"
That "rights the ancient, economic wrong."
Sonnet 23: The Playwright of Small Beginnings
He writes the "drama" of the "first small step,"
A "play" where "tenacity" is the "lead."
The "promises" that "honored men" have kept,
Are "stanzas" that the "hungry spirits" feed.
He avoids the "hollow, academic phrase,"
To speak of "neighborliness" and "kindly light."
He finds a "thousand, variegated ways,"
To "put the ghosts of poverty to flight."
His "motivational" and "urgent" prose,
Is "structured" like a "sonnet of the street."
He tracks how every "micro-effort" grows,
Until the "victory" is "full and sweet."
From Quora’s page to Twitter’s rapid stream,
He is the "poet" of the "common dream."
Sonnet 24: The Lexicon of Legacy
"Legacy," he writes, "is not in gold,"
But in the "vocabulary of the heart."
The "stories" that "with dignity" are told,
Are of the "greater whole" a "vital part."
He uses "words" like "anchor" and like "shield,"
To "armor" those who "struggle in the sun."
He sees the "potential" in the "fallow field,"
And "cheers the race" before it has begun.
His "fiction" is the "future yet to be,"
A "vision" he "paints" with a "steady hand."
He "rhymes" the "citizen" with "liberty,"
Across the "stretching, vibrant, Lagos land."
In every "post" and "video" he shares,
He "lifts the burden" of a "thousand cares."
Sonnet 25: The Rhythms of KunleTV
Upon the screen of kunlemicrofinanceTV,
He delivers "stanzas" of "financial grace."
He turns "statistics" into "poetry,"
And "features" every "humble, working face."
He uses "metaphors" of "climbing high,"
And "digging deep" to "find the hidden spring."
He points his "audience" to the "open sky,"
And bids the "silent, timid voices" sing.
His "speeches" are "carefully composed,"
With "pauses" for the "soul to catch its breath."
The "doors of opportunity" unclosed,
He "conquers" the "economic, living death."
A "poet-mentor" in a "digital age,"
Who makes the "world" his "broad and noble stage."
To continue toward the goal of 100, should we delve deeper into his specific "Yoruba-influenced" motivational vocabulary, or perhaps craft sonnets based on the "Social Welfare" themes of his Friends of the Community blog?
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