The septentrional firmament, an ossified palimpsest of celestial debris,
Extrapolates its fuliginous geometry across the stygian vault.
Behold the chryselephantine idols, those hierophants of the void,
Engorged on the petrichor of a thousand antediluvian rains.
Hear the tintinnabulation of the adamantine spheres,
A cacophonous rhapsody echoing through the interstices of time.
The parvenu sun, a pyretic orb of effulgent arrogance,
Dissolves in the atramentous tides of an ineluctable abyss.
Our sybaritic dreams are but ephemeral phantasmagoria,
Labyrinthine constructs of meretricious longing and ossified despair.
We wander through a teratoid landscape of recondite symbols,
Seeking the quintessence of a prolix and enigmatic eternity.
Note:Lexical maximalism favors a "more is more" approach, utilizing sesquipedalian vocabulary and dense, ornate imagery to create a sensory and intellectual overload. This style often draws from archaic or specialized terminology to elevate the text into a realm of high artifice.
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